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Some failed their exam, some passed. I'm afraid that some very good films are going to be dragged down by the utter bilge that most of the films consisted of.

The bilge? My Dad Works the Night Shift? The sorts of choices that had to be made in Nazi Germany would have tested anyone anywhere. As I said right at the beginning, this is unfair on all of the films - some deserved a one and others an eight.

I loved even the clever title of the latter - I'm a translator but I can't get the sense properly over in three words but maybe in four, "Jettisoned on the Jetty". His subjects aren’t just posing; they’re revealing. Really, if you have nothing useful to say or no story to tell, just be quiet and choose another career.

The absolute rubies amongst the dross?

My Dad Works the Night Shift, A Normal Guy, Pretty Boy. The latter was clichéd but acceptable. The other acceptable films raised this to a six. The first of these featured Hall singing his order at a McDonald's drive-thru window and generated considerable viewership; by 2012, he had graduated to full-blown musical tributes, including "Beauty and the Beat," which refashioned the Disney musical as an urban fantasy, and a promotional short for Virgin Airlines which detailed its pre-flight safety briefing as an R&B music video.

I liked A Normal Guy particularly for its reading of the situation for gay guys in Romania - casual homophobia but more or less an acceptance of other lifestyles. We Are Dancers and L'Homme Jetée.

The NSFW project is a moody, intimate, and sometimes stark exploration of masculinity that challenges the rigid norms of what a man is “supposed” to look like. One video, a "Wizard of Oz" (1939) parody titled "The Wizard of Ahhhs" (2013) which featured the vocal group Pentatonix, generated over 4 million viewers, which attracted the attention of manager Scooter Braun, whose clients included pop star Justin Bieber.

This isn’t masculinity for marketing.